Vocalise from the Abyss
2024 For Voice, Viola, and Cello The inverse-square law in gravity means that as two objects get closer to each other, the attraction between them …
2024 For Voice, Viola, and Cello The inverse-square law in gravity means that as two objects get closer to each other, the attraction between them …
2024 For Piano Solo Thirty years ago, three nations stood in a chain to show the world that they were united in their desire for …
2024 For Piano Quintet First Impressions was written as a musical response to early 20th-century French works, featured in PlayMud’s concert of the same name. …
2023 For flute, viola, and harp Porthladd is an ode to two harbours, one in my hometown Hong Kong, and one in Cardiff, where the …
2022–2024 For String Quartet out to tolo outlines the flow of Shing Mun River in Shatin, Hong Kong, towards the Tolo Harbour. It portrays the …
2023 For Symphony Orchestra Mind the Gap is a semi-autobiographical work that captures my current identity and state of mind as an immigrant. ‘Please mind …
2023 For tenor horn, piano, and optional off-stage tenor horn Oolong (Mar 2021–Mar 2023) was a gluttonous, quick-footed, well-travelled Syrian hamster with oolong-milk-tea-coloured fur and …
2023 For clarinet, percussion, and double bass migloje – lietuje (in the fog – in the rain in Lithuanian) is a sketch from my summer …
2023 For soprano/high voice and piano coeng⁴ noi⁶ gei² dim² zung¹ (What time is it behind the wall) is an allusion to survivor’s guilt. The …
2023 For clarinet, percussion, and double bass The verb wun6 waa2 refers to a cinema ending the run of a film and starting another. This …