About

Israel LAI Miu-yeung is a composer, arranger, piano accompanist, conductor, orchestral violinist, translator and hyperpolyglot from Hong Kong. He is currently an Esther Yewpick Lee Millennium Scholar reading for an MPhil in Music (Composition) at the University of Oxford, studying with Prof. Martyn Harry and Prof. Robert Saxton, following his graduation from the Chinese University of Hong Kong in 2018 with a first-class honours Bachelor of Arts in Music, where he studied composition with Prof. Lee Wan-ki Wendy, Dr. Chan Kai-young, and Prof. Chan Wai-kwong Victor. He was previously an exchange student at Lund University, Sweden. He is a member of the Hong Kong Composers’ Guild, the Composers and Authors Society of Hong Kong, and the American Guild of Organists (Hong Kong Chapter).

Growing up in a Christian environment, Lai has served as pianist, assistant conductor and composer in residence at his church and made chamber arrangements of hymns, such as Christmas Suite (2016), as well as forays into the field of modernised Cantonese Christian music, such as Seven Last Words from the Cross (2018).

Lai is eager to explore ways of combining and incorporating different musical idioms inside his compositions, from classical to modern to ethnic, from homogeneous to constantly changing. He is interested in a variety of instrumentations, especially woodwinds and large ensembles. Fascinated by large-scale classical forms, he has worked on his suite of Swedish Rhapsodies (2015-) for chamber ensembles and his Concerto for Clarinet and Orchestra (2015-18).

On the chamber side, his Rondo (2017) for wind quintet was acclaimed at the premiere, and Introduction and Intermezzo (2017) was broadcast on radio at the finals of New Generation Hong Kong 2017 competition. He gained international exposure with his Theme and Variations (2017) at the highSCORE Festival, Italy, Winter (2017) in Taiwan, and recently, his Playwright (2018), played by the renowned Mivos Quartet. He is always open to new influences and inspirations, and particularly interested in the applications of polytonality.

Qualifications

  • BA (Music)
  • LTCL (Piano Performance)
  • LTCL (Organ Performance)
  • AMusTCL (Music Theory)

黎渺揚為香港年輕作曲家,亦從事編曲、伴奏、指揮及翻譯。2018年從香港中文大學音樂系以一級榮譽畢業後,現於牛津大學隨Martyn Harry教授及Robert Saxton教授修讀作曲哲學碩士學位,先後師隨李允琪教授、陳啟揚博士及陳偉光教授修讀作曲,亦曾為瑞典隆德大學交流生。黎氏為香港作曲家聯會、香港作曲家及作詞家協會、美國管風琴家協會香港分會會員。

黎氏在基督教家庭長大,多年來在教會擔任鋼琴及管風琴伴奏;近年更擔任詩班副指揮及駐團作曲家,編制室內樂版聖詩,如《聖誕組曲》(2016),亦潛心探索現代粵語聖樂的可能性,2018年為《十架七言》譜曲。

作曲方面,黎氏對揉合古典、現代和民族等不同的音樂語言甚有興趣。其作品編制各異,以木管和大型室內樂居多。因喜愛大型古典曲式,現正創作《瑞典狂想曲》系列室內樂團作品(2015-),以及《單簧管協奏曲》(2015-17)。室內樂方面,其木管五重奏作品《迴旋曲》(2017)由香港管樂雅集首演,廣受歡迎。而《序奏與間奏曲》(2017)於音樂新一代2017決賽首演,其後於電台播出;單簧管作品《變奏曲》(2017)於義大利帕維亞highSCORE音樂節演出,而其《劇作家》(2018)更由著名的米費斯弦樂四重奏拉奏。黎氏仍在積極學習,對各種風格和新意念均抱好奇心,特別有興趣研究多調性的應用。